Vintage Tinies
mpdrolet:

A quiet game, 1901
Detroit Publishing Company

mpdrolet:

A quiet game, 1901

Detroit Publishing Company

throateyeandknucklebone:

sealmaiden:

Little girl playing drum
Photographer unknown, 20th century

throateyeandknucklebone:

sealmaiden:

Little girl playing drum

Photographer unknown, 20th century

throateyeandknucklebone:

sealmaiden:

KoPi
Little Nightmares 

throateyeandknucklebone:

sealmaiden:

KoPi

Little Nightmares 

poisoned-apple:

Eugène Frank - Brigitta, Photogravure, 1910

poisoned-apple:

Eugène Frank - Brigitta, Photogravure, 1910

holdthisphoto:

How to Make a Hairbrush, 1912
by Lewis Hine

holdthisphoto:

How to Make a Hairbrush, 1912

  • by Lewis Hine
auntada:

South African author Alan Paton (January 11, 1903 – April 12, 1988) teaching a child in front of a church in Natal. Photograph by Constance Stuart Larrabee, February 1949.
This photograph was taken in February 1949, when Larrabee was on assignment for Harper’s Bazaar. Her objective was to create a portfolio inspired by Paton’s seminal book Cry, The Beloved Country, which brought the conditions in South Africa to the attention of the world. The novel was published in 1948, with apartheid becoming law later that year.

auntada:

South African author Alan Paton (January 11, 1903 – April 12, 1988) teaching a child in front of a church in Natal. Photograph by Constance Stuart Larrabee, February 1949.

This photograph was taken in February 1949, when Larrabee was on assignment for Harper’s Bazaar. Her objective was to create a portfolio inspired by Paton’s seminal book Cry, The Beloved Country, which brought the conditions in South Africa to the attention of the world. The novel was published in 1948, with apartheid becoming law later that year.

takingtigermountain:

Boys playing cricket in Drouin, Australia, ca. 1944
The National Library of Australia has a bunch of photographs from Drouin during WWII

takingtigermountain:

Boys playing cricket in Drouin, Australia, ca. 1944

The National Library of Australia has a bunch of photographs from Drouin during WWII

nevver:

Thankful
k-a-t-i-e-:

Stan and Warren : 1911
Chicopee, Massachusetts 
November 1911

k-a-t-i-e-:

Stan and Warren : 1911

Chicopee, Massachusetts 

November 1911

art-is-ambition:

I met a room full of holocaust survivors this weekend. I had to dig my fingernails into my palm to stop myself from crying. They were there happily talking amongst themselves, sharing their experiences. At that moment I realized how lucky I am and how I should value life so much more.

art-is-ambition:

I met a room full of holocaust survivors this weekend. I had to dig my fingernails into my palm to stop myself from crying. They were there happily talking amongst themselves, sharing their experiences. At that moment I realized how lucky I am and how I should value life so much more.

boompoint:

WWII
Russian boy

boompoint:

WWII

Russian boy

throateyeandknucklebone:

benhasten:

Family Plan 
November 1908. Chester, South Carolina. Wylie Mill. Boy with calf is Pamento Benson. Raising it for beef. Has worked in mill 2 years. Mr. Benson said, “Just as soon as the boys get old enough to handle a plow, we go straight back to the farm. Factory is no place for boys.” Next to Pamento is Ray Benson, “helper in the mill.” Next Clarence Rost, works in mill.
Photo by Lewis Wickes Hine via Shorpy

throateyeandknucklebone:

benhasten:

Family Plan

November 1908. Chester, South Carolina. Wylie Mill. Boy with calf is Pamento Benson. Raising it for beef. Has worked in mill 2 years. Mr. Benson said, “Just as soon as the boys get old enough to handle a plow, we go straight back to the farm. Factory is no place for boys.” Next to Pamento is Ray Benson, “helper in the mill.” Next Clarence Rost, works in mill.

Photo by Lewis Wickes Hine via Shorpy

throateyeandknucklebone:

benhasten:

“more than any other kind of antique photograph, the tintype communicates a sense (…) of the utter strangeness, the alterity, of the past.”
(photographer unknown)
Via Terry Castle

throateyeandknucklebone:

benhasten:

“more than any other kind of antique photograph, the tintype communicates a sense (…) of the utter strangeness, the alterity, of the past.”

(photographer unknown)

Via Terry Castle